Carved door of an old house in the Comoros
Vergers du Monde Press presents

KARIBU

Farmers' knowledge and living heritage of the Comoros

In Shikomori, karibu means “welcome”. This book opens the door to an archipelago: its coral stone, its fields beneath the trees, its scents, its celebrations and the voices that carry it.

Chapter I · Observe

The Islands of the Moon

At the edge of the Indian Ocean lies an archipelago where the Moon seems almost to touch the sea. An old legend tells of a prophet who, guided by his birds, once landed there by dhow. Dazzled, he cried out:

“These islands, ah, these islands! They are so beautiful, they look like the moon!”

Over time, Djazaïr-el-Kamar became Kamar, then Comoros.

Chapter II · Listen

Four islands, four voices

The Comoros islands are like sisters: one language, one faith, a deep bond with the sea. And as in any family, each has its own character.

Ngazidja

the island of fire1 148 km² · Karthala 2 361 m

Lava, plateaus and steep coasts. A matrilineal society living alongside Islam.

Ndzuwani

slopes and old cities424 km² · Ntingui 1 595 m

Fields farmed up the steepest slopes, and the old towns of Mutsamudu and Domoni.

Mwali

forest and highlands211 km²

The quietest one. Plateaus, fertile valleys, forests: daily life can be read in the landscape.

Maore

the lagoon island374 km²

The oldest, ringed by reefs. Vanilla, ylang-ylang, coconut, cassava.

KaribuMarahabaHabariKweziNdjema
Chapter III · Touch

The memory of stone

In the medinas of Mutsamudu, Domoni and Moroni, houses are built of coral and lime. Palace walls are carved with fine niches, and wooden doors tell a family's rank. The book walks through these stone towns, from the age of the sultanates to a society where the house belongs to the mothers.

Carved niches in a palace wall, Mutsamudu
Niches in room 16, Ujumbe palace, Mutsamudu. Photo: Stéphane Pradines and Olivier Onézime.
Drawing · survey
Architectural survey of the niche wall, Ujumbe palace
Survey of the same wall, with a figure for scale. Illustration: Stéphane Pradines and Olivier Onézime.
Two women walking down a country road in the Comoros, carrying trays on their heads
“In the Comoros, the tree does not come after the crop: it is already in the field.”
Chapters III & IV · Touch, Feel

What the land teaches

Living hedges, gardens around the houses, banana and taro under the canopy: here, farming works with the tree, not against it. The book gathers this farmers' knowledge, and the stories of the plants that made the archipelago famous.

Ylang-ylang flowers spread out on the ground

Ylang-ylang

Ripe flowers are picked by hand at dawn, when their scent is strongest, then taken straight to the still.

Clove harvest

Clove

Picking, drying, storing. At the height of the season in Ndzuwani, cloves dry even on the pavements.

Vanilla vine on its support tree

Vanilla

A craft of patience. Each morning, the “vanilla matchmakers” pollinate the flowers one by one.

Chapter IV · Feel

Djahazi, song of the seas

The djahazi is the old boat that linked the islands. A whole body of knowledge is passed down around it: that of the nahoda (captains), the crews and the shipwrights who shape the hull with an adze and caulk it with cotton.

The book details every part of the boat, with its name in Comorian.

Drawing · construction
Construction drawing of a djahazi with part names in Comorian
Source: Ryan Marr (2019).
Chapters IV & V · Feel, Savour

Sun on the skin

Msindzano is a sandalwood mask, rubbed on a coral stone into a pale paste. Care, protection, adornment: a way to wear the tree on one's face. Then come the celebrations, the grand wedding, the songs, the shared meals: everything that holds a community together.

Women wearing msindzano on their faces
Two veiled women watching a celebration
Colourful crowd at a Comorian grand wedding

Photographs by Sofia Mmadi.

The book

A journey in six gestures

Karibu reads like a journey through the archipelago, one chapter at a time.

I

Observe

The Islands of the Moon and tales of the crater.

II

Listen

The language, the four islands, their voices.

III

Touch

Stone, coral, sultanates, plantations, scents.

IV

Feel

The tree, the djahazi, basketry, healing plants.

V

Savour

The grand wedding, rhythms, hospitality.

VI

Pass on

What is shared, what is kept.

The women behind the book

Images and forms

Photography

Sofia Mmadi

Most of the photographs in the book are hers. She shows the Comoros differently: the spontaneity of celebrations, the silence before solemn moments, the fields at sunrise while the dew is still on the leaves.

@naida_mmadi

Art direction, research & design

Ava Xia

London-based environmental researcher and designer, founder of LORE. Her practice draws on Indigenous knowledge and vernacular traditions, exploring cultural memory and the ties between humans and more-than-humans.

avaxdesign.com

With testimonies from Abderemane S. M. Wadjih, Achata Soilihi, Fatima Boyer, Sittina Farate Ibrahima and the Collectif du Patrimoine des Comores. A Vergers du Monde book, a publishing house devoted to farmers' ecological knowledge.
Karibu book cover
Karibu · welcome

Step into the archipelago

A beautiful book to read, to give, to keep close. For those who love the Comoros, or want to discover them.

  • Pages146 pages
  • Format7 × 10 in, full colour
  • LanguageFrench
  • PublisherVergers du Monde Press
€45,95